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“Yet let him sleep downstairs,” Edith persisted.,

There they all were; those who had come first to the house, and many others: Jean, Bess Carter, Charley Strong, Max Krieber, Jackson Carter, the little colored boy, standing aloof, and others, large and small. All in a line they stood, and shouted up at him:,

“Put a nose an’ eyes over his own planner an’ you’d think there’s the man hisself,” flung back Mrs. Wopp.,

Rational people laughed at these stories, declared them the fancies of brains fuddled by too long a stay at the saloons in town. But Billy was not so easily satisfied. He wished to see for himself those shadowy forms; to prove to the small, scared children that, contrary to general belief, the brothers sometimes had guests. And he had a queer feeling that some way the house would have a place in his life. He admired its gloomy grandeur; planned the additions he would make if it were his own, and the gardens, the hedges of roses, and banks of fragrant smilax, that should grow there.

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“It’s time Billy was at home,” he heard his mother say as he opened her room door; and he stumbled on more hurriedly, across the bridge—at last, the Fo’castle!,

“An’ where did you hear it, my dear?” she queried, cautiously feeling her way.,

Suddenly, all heads were raised and a sigh of satisfaction escaped Mrs. Wopp’s lips.,

Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions.